Filmische Positionen in Zeiten der Pandemie / Take 3
The research team of “Conviviality as Potentiality” has been invited to screen two shortfilms at the Leo Kino in Innsbruck (AT), that have been produced during the time of the pandemic.
The series Corona verstehen. Understanding Corona. „Ansteckende Bilder“ – Filmische Positionen in Zeiten der Pandemie / Take 3 is organised by Eva Binder, Elisabeth Dietrich-Daum, Tanja Helm (Leokino), Marina Hilber, Wolfgang Meixner, Christian Quendler, Dirk Rupnow and Sabine Schrader.
A joint event of the Philosophical-Historical Faculty, the Faculty of Philological and Cultural Sciences, the FSP Cultural Encounters – Cultural Conflicts, the Center for Interdisciplinary Gender Research Innsbruck and the FZ Medical Humanities.
Tuesday, October 18, 2022
KUNST, FILM UND KULTUR
Wearable Vocabulary documents a workshop in June 2021 in Vienna, where participants discuss vocabulary against oppression and for empowerment. Wearable Vocabulary was conceived during a period of strict pandemic isolation by members of the grassroots organization ARA, who come from the African diaspora in Austria and are involved in LGBTQI+ issues in public space.
Austria 2021; Afro Rainbow Austria [ARA]; Concept, recording, editing: Jovita Pristovšek; Sound: Marina Gržinić, Jovita Pristovšek, Sophie Uitz; Photo documentation: Rui Bai, Marina Gržinić, Jovita Pristovšek (11:28min)
TOUCHING PAIN (PART 2)
In the midst of the pandemic, the case of the Uighurs, based in northwest China’s Xinjiang Autonomous Region, began to fade from public view. Aaron Kimmig reflects on the situation of the Uyghur minority, which comes from the Central and East Asian region and is culturally connected to it and has been threatened by repression in China for many years, using a possible digital travel report and the information spread on the Internet. Touching Pain (Part 2) is part of a three-part docu-fiction series about discrimination, fragmentation, administration, citizenship and non-citizenship.
Austria 2022; Recording and production as part of the FWF-PEEK project “Conviviality as Potentiality” (AR 679); Recording and editing: Jovita Pristovšek; Sound recording: Sophie Uitz; Concept and editing director: Marina Gržinić (6:41min)